Der Golem, wie er in die Welt kam The Golem, How He Came into the World
Paul Wegener Carl Boese
Der Golem, wie er in die Welt kam The Golem, How He Came into the World videorecording The Golem Paul Wegener Carl Boese - Germany Projektions-AG Union (PAGU) 1920 - 1 videodisc (ca. x min.) sound, color. 4 3/4 in.
Der Golem, w,e er ,n die Welt kam C 2018 Friedrich-Wilhelm-Mumau-Stiftung, Wiesbaden. All Rights Reserved. Marketed by Kina Lorber, Inc 333 West 39th Street Suite 503, New York, NY 10018. "Klno Lorber"® is the registered trademark of Kino Lorber, Inc. For non-commercial private exh1b1t1on in homes only Any public performance, other use or copying IS strictly prohibited. The unauthorized reproduction or distribution of this copyrighted work 1s illegal. Criminal copyright 1nfnngement, including in fnngement without monetary gain is investiga
Widely recognized as the source of the Frankenstein myth, the ancient Hebrew legend of the Golem provided actor/director Poul Wegener with the substance for one of the most adventurous films of the German silent cinema. Suffering under the tyrannical rule of Rudolf II in 16th-century Prague, a Talmunic rabbi (Albert Steinruck) creates a giant warrior (Paul Wegener) to protect the safety of his people. When the rabbi's assistant (Ernst Deutsch) takes control of the Golem and attempts to use him for selfish gain, the lumbering monster runs rampant, abducting the rabbi's daughter (Lyda Salmonovo) and setting fire to the ghetto. With its remarkable creation sequence (a dazzling blend of religion, sorcery and special effects) and the grand-scale destruction of its climax, The Go/em was one of the greatest achievements of the legendary UFA Studios, and remains an undeniable landmark in the evolution of the horror film.
THE GOLEM: How He Came into the World
(Der Go/em, wie er in die Welt kam)
Projektions-AG ,Union« (PAGU), Berlin, Paul Davidson Written and Directed by Paul Wegener Photographed by Karl Freund
Production Design: Hans Poelzig
With Paul Wegener Albert Steinruck
Lyda Salmonova Ernst Deutsch
Music by Admir Shkurtoj, on commission of the Biennole Venezia Film Festival (2019) Mixed by Valerio Daniele © Sugormusic S.p.A. - Edizioni Suvini Zerboni, Milano Music composed and performed by Stephen Horne (2019)
Music composed and performed by lukosz "Wudec" Poleszok (2019)
U.S. distribution version: Music by Cordula Heth (2019)
Restoration (2018): Friedrich-Wilhelm-Murnou-Stihung
Cinemotek (Royal Film Archive of Belgium)
Material: Cinemotek (Royal Film Archive of Belgium) George Eastman Museum
(inemotheque fronoise Fondozione Cineteco Italiano Museum of Modern Art Gosfilmofond of Russia Filmmuseum Miinchen
Cover artwork by Ivon Montoy
Blu-ray video; Color-tinted, Color: Black and White; Sound mix: Silent; 1920x1080p; Regions A; 1.33:1
Silent audio. German intertitles with optional English subtitles.
PN1997 / .G654 1920
Der Golem, wie er in die Welt kam The Golem, How He Came into the World videorecording The Golem Paul Wegener Carl Boese - Germany Projektions-AG Union (PAGU) 1920 - 1 videodisc (ca. x min.) sound, color. 4 3/4 in.
Der Golem, w,e er ,n die Welt kam C 2018 Friedrich-Wilhelm-Mumau-Stiftung, Wiesbaden. All Rights Reserved. Marketed by Kina Lorber, Inc 333 West 39th Street Suite 503, New York, NY 10018. "Klno Lorber"® is the registered trademark of Kino Lorber, Inc. For non-commercial private exh1b1t1on in homes only Any public performance, other use or copying IS strictly prohibited. The unauthorized reproduction or distribution of this copyrighted work 1s illegal. Criminal copyright 1nfnngement, including in fnngement without monetary gain is investiga
Widely recognized as the source of the Frankenstein myth, the ancient Hebrew legend of the Golem provided actor/director Poul Wegener with the substance for one of the most adventurous films of the German silent cinema. Suffering under the tyrannical rule of Rudolf II in 16th-century Prague, a Talmunic rabbi (Albert Steinruck) creates a giant warrior (Paul Wegener) to protect the safety of his people. When the rabbi's assistant (Ernst Deutsch) takes control of the Golem and attempts to use him for selfish gain, the lumbering monster runs rampant, abducting the rabbi's daughter (Lyda Salmonovo) and setting fire to the ghetto. With its remarkable creation sequence (a dazzling blend of religion, sorcery and special effects) and the grand-scale destruction of its climax, The Go/em was one of the greatest achievements of the legendary UFA Studios, and remains an undeniable landmark in the evolution of the horror film.
THE GOLEM: How He Came into the World
(Der Go/em, wie er in die Welt kam)
Projektions-AG ,Union« (PAGU), Berlin, Paul Davidson Written and Directed by Paul Wegener Photographed by Karl Freund
Production Design: Hans Poelzig
With Paul Wegener Albert Steinruck
Lyda Salmonova Ernst Deutsch
Music by Admir Shkurtoj, on commission of the Biennole Venezia Film Festival (2019) Mixed by Valerio Daniele © Sugormusic S.p.A. - Edizioni Suvini Zerboni, Milano Music composed and performed by Stephen Horne (2019)
Music composed and performed by lukosz "Wudec" Poleszok (2019)
U.S. distribution version: Music by Cordula Heth (2019)
Restoration (2018): Friedrich-Wilhelm-Murnou-Stihung
Cinemotek (Royal Film Archive of Belgium)
Material: Cinemotek (Royal Film Archive of Belgium) George Eastman Museum
(inemotheque fronoise Fondozione Cineteco Italiano Museum of Modern Art Gosfilmofond of Russia Filmmuseum Miinchen
Cover artwork by Ivon Montoy
Blu-ray video; Color-tinted, Color: Black and White; Sound mix: Silent; 1920x1080p; Regions A; 1.33:1
Silent audio. German intertitles with optional English subtitles.
PN1997 / .G654 1920