MARC details
| 000 -LEADER |
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| fixed length control field |
04166nam a2200325 4500 |
| 003 - CONTROL NUMBER IDENTIFIER |
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| control field |
OSt |
| 008 - FIXED-LENGTH DATA ELEMENTS--GENERAL INFORMATION |
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| fixed length control field |
180619b ||||| |||| 00| 0 eng d |
| 040 ## - CATALOGING SOURCE |
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| Transcribing agency |
SILC |
| 041 ## - LANGUAGE CODE |
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| Language code of spoken, sung, and signed languages |
spa |
| Language code of summaries on containers |
spa |
| Language code of original languages of main work(s) |
spa |
| Written languages, including subtitles, captions and intertitles |
eng |
| -- |
fre |
| -- |
spa |
| 046 ## - SPECIAL CODED DATES |
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| Date of original film release |
2010 |
| 050 ## - LIBRARY OF CONGRESS CALL NUMBER |
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| Classification number |
PN1997 |
| Item number |
.M573 2010 |
| 100 ## - MAIN ENTRY--PERSONAL NAME |
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| Personal name |
Diego Lerman |
| 240 ## - UNIFORM TITLE |
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| Uniform title |
<a href="The Invisible Eye">The Invisible Eye</a> |
| 245 ## - TITLE STATEMENT |
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| Title |
La mirada invisible |
| Statement of responsibility, etc |
Diego Lerman |
| Medium |
[videorecording]= |
| Remainder of title |
The Invisible Eye |
| 246 ## - VARYING FORM OF TITLE |
|---|
| Title proper/short title |
The Invisible Eye |
| 260 ## - PUBLICATION, DISTRIBUTION, ETC. (IMPRINT) |
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| Place of publication, distribution, etc |
Argentina |
| Name of publisher, distributor, etc |
El Campo Cine |
| -- |
MMM Film Zimmermann & Co. |
| -- |
Agat Films & Cie |
| Date of publication, distribution, etc |
2010 |
| 300 ## - PHYSICAL DESCRIPTION |
|---|
| Extent |
1 videodisc (ca. 96 min.) |
| Other physical details |
sound, color. |
| Dimensions |
4 3/4 in. |
| 440 ## - SERIES STATEMENT/ADDED ENTRY--TITLE |
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| Title |
David W. Foster Collection |
| 500 ## - GENERAL NOTE |
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| General note |
Based on the book "Ciencias Morales" by Martín Kohan. |
| 520 ## - SUMMARY, ETC. |
|---|
| Summary, etc |
From case cover:<br/>Persiguiendo un vago, quizá inexistente olor a cigarillo, Marís Teresa, preceptora del Colegio Nacional Buenos Aires, comienza a esconderse en los baños de los varones para sorprender a los que fuman y llevarlos ante la autoridad. Poco a poco hace de ello un hábito oscuramente excitante. No es [?] la violación de las reglas sino de su aplicación a [?]tranza de donde surgirán la torsión y el desvío, de [?]rigurosa vigilancia de una completa rectituf, de la [?]stodia inflexible de una normalidad total y atroz.<br/><br/>La mirada invisible, tercer largometraje de Diego Lerman (Mientras tanto, Tan de repente), está basado en la premiada novel de Martín Kohan "Ciencias morales" y fue aplaudido en el Festival de Cannes. Ambientado durante los días previos a la guerra de Malvinas en 1982, lo protagonizan Julieta Zylberberg (Géminis, La niña santa) y Osmar Nuñez (Por tu culpa, Dos hermanos).<br/><br/><br/> |
| Expansion of summary note |
From IMDb:<br/>Buenos Aires, March 1982. On the streets of the Argentinean capital, people are challenging the military dictatorship. The walls of the school are thick and redoubtable. A secure promise of the guaranteed preservation of the good old days of school routine from anything that may happen outside its walls in the neighbouring streets, in Buenos Aires itself, in the Argentina of 1982. María Teresa is a classroom assistant at that school, an innocent - or maybe just ignorant - mistress of ceremonies, a bystander. She is twenty years old. She started work when it was still summer and Mr. Biasutto, the chief classroom assistant, made quite clear to her at her first interview the sort of attitude she is expected to adopt with students because it would not be an easy task to arrive at what he called 'the optimum surveillance point': Always on the 'qui vive', never missing a thing, but never giving cause for alarm amongst the students. A surveillance which would pick up on everything but would never be picked up on itself. A fleeting look on the face of the pervert, or the warden, or maybe the master. But if everything is out of order -even for her-, everything is transgression. And when María Teresa, hot on the trail of the merest, possibly imaginary wisp of tobacco smoke, starts hiding in the boys lavatories to catch smokers in flagrante delicto and haul them up before the authorities, slowly morphing the whole procedure into a clandestine habit of dubious piquancy; not exactly breaking the rules but bending them willy nilly, twisting, diverting them come what may but, of course, with utter correctness and obeisance to a surveillance emanating from the inflexible custodianship of a complete and atrocious normality. Surveillance, custodianship that could possibly be enforced beyond the boundaries of this enclosed world, because beyond the sheer masonry encasing this school, where the future ruling classes have studied and are studying, there is another world, there is an entire country that has virtually nothing to do with it. |
| 538 ## - SYSTEM DETAILS NOTE |
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| System details note |
DVD video; Dolby Digital 5.1; surround; NTSC; Region 4; 16:9 widescreen. |
| 546 ## - LANGUAGE NOTE |
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| Language note |
Spanish audio. Optional English, French, and Spanish subtitles. |
| 700 ## - ADDED ENTRY--PERSONAL NAME |
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| Personal name |
Diego Lerman |
| Relator term |
Screenwriter |
| -- |
Director |
| 700 ## - ADDED ENTRY--PERSONAL NAME |
|---|
| Personal name |
María Meira |
| Relator term |
Screenwriter |
| 700 ## - ADDED ENTRY--PERSONAL NAME |
|---|
| Personal name |
Martín Kohan |
| Relator term |
Author |
| 700 ## - ADDED ENTRY--PERSONAL NAME |
|---|
| Personal name |
Julieta Zylberberg |
| Relator term |
Actor |
| 700 ## - ADDED ENTRY--PERSONAL NAME |
|---|
| Personal name |
Osmar Núñez |
| Relator term |
Actor |
| 700 ## - ADDED ENTRY--PERSONAL NAME |
|---|
| Personal name |
Ailín Salas |
| Relator term |
Actor |
| 942 ## - ADDED ENTRY ELEMENTS (KOHA) |
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| Source of classification or shelving scheme |
Library of Congress Classification |
| Item type |
DVD - Video |