MARC details
| 000 -LEADER |
|---|
| fixed length control field |
02476nam a2200241 4500 |
| 003 - CONTROL NUMBER IDENTIFIER |
|---|
| control field |
OSt |
| 008 - FIXED-LENGTH DATA ELEMENTS--GENERAL INFORMATION |
|---|
| fixed length control field |
190114b ||||| |||| 00| 0 eng d |
| 040 ## - CATALOGING SOURCE |
|---|
| Transcribing agency |
SILC |
| 041 ## - LANGUAGE CODE |
|---|
| Language code of summaries on containers |
eng |
| Language code of original languages of main work(s) |
rus |
| Written languages, including subtitles, captions and intertitles |
rus |
| -- |
eng |
| 046 ## - SPECIAL CODED DATES |
|---|
| Date of original film release |
2002 |
| 050 ## - LIBRARY OF CONGRESS CALL NUMBER |
|---|
| Classification number |
PN1997 |
| Item number |
.M330 2002 |
| 100 ## - MAIN ENTRY--PERSONAL NAME |
|---|
| Personal name |
Yevgeny Bauer |
| 245 ## - TITLE STATEMENT |
|---|
| Title |
Mad Love: The Films of Evgeni Bauer |
| Statement of responsibility, etc |
Yevgeny Bauer |
| Medium |
[videorecording]= |
| 260 ## - PUBLICATION, DISTRIBUTION, ETC. (IMPRINT) |
|---|
| Place of publication, distribution, etc |
Russia |
| Name of publisher, distributor, etc |
Milestone Films |
| Date of publication, distribution, etc |
2002 |
| 300 ## - PHYSICAL DESCRIPTION |
|---|
| Extent |
1 videodisc (ca. 144 min.) |
| Other physical details |
silent, black & white. |
| Dimensions |
4 3/4 in. |
| 440 ## - SERIES STATEMENT/ADDED ENTRY--TITLE |
|---|
| Title |
Mad Love: The Films of Evgeni Bauer |
| 500 ## - GENERAL NOTE |
|---|
| General note |
Special features include:<br/>- Documentary Film Essay on Evgeni Bauer by Russian Film Scholar Yuri Tsivian |
| 520 ## - SUMMARY, ETC. |
|---|
| Summary, etc |
From case cover:<br/>Russian film poet Evgeni Bauer combined the virtuosity of D.W.Griffith, the terror of Edgar Allan Poe, and the eye of Johannes Vermeer. He is, perhaps, the greatest film director you have never heard of. During his brief four-year career, Bauer created macabre masterpieces -- dramas darkly obsessed with doomed love and death and astonishing for their graceful camera movements, risque themes, opulent sets, and chiaroscuro lighting.<br/><br/>For decades, Bauer's films were buried in the archives -- declared too "cosmopolitan" and "bizarre" for the puritanical Soviet regime -- but with the fall of the Iron Curtain, Bauer's work has risen like a glorious phoenix out of the ashes of time.<br/><br/>In Twilight of a Woman's Soul (1913), Bauer's first surviving film, a society woman takes revenge on her rapist and then must make a new life after her husband abandons her. After Death (1915), an adaptation of a story by Ivan Turgenev, explores one of Bauer's favorite themes: the psychological hold of the dead over the living. In The Dying Swan (1916), an artist obessed with the idea of capturing death on canvas becomes fixated on a mute ballerina.<br/><br/>Vera Karalli, prima ballerina of the Bolshoi and Ballet Russe de Monte Carlo, stars in After Death and The Dying Swan. Karalli's colleague, Alexander Gorsky, choreographed the films dances. Restored by Gosfilmofond and featuring scores commissioned by the British Film Institute, Mad Love is a must-have collection for all lovers is the equivalent of peering into the Tsar's magnificent Faberge eggs. |
| 538 ## - SYSTEM DETAILS NOTE |
|---|
| System details note |
DVD video; Dolby Digital 2.0; stereo; NTSC; Regions 0; 1.33:1 as 4:3 fullscreen. |
| 546 ## - LANGUAGE NOTE |
|---|
| Language note |
Silent with Russian intertitles and English subtitles. |
| 700 ## - ADDED ENTRY--PERSONAL NAME |
|---|
| Personal name |
Yevgeny Bauer |
| Relator term |
Screenwriter |
| -- |
Director |
| 942 ## - ADDED ENTRY ELEMENTS (KOHA) |
|---|
| Source of classification or shelving scheme |
Library of Congress Classification |
| Item type |
DVD - Video |