TY  - BOOK
AU  - Luís Sérgio Person
AU  - Luís Sérgio Person	
AU  - Mário Pimenta Camargo
AU  - Renato Magalhães Gouveia
AU  - Nelson Mattos Penteado
AU  - Cláudio Petráglia
AU  - Ricardo Aronovich
AU  - Glauco Mirko Laurelli
AU  - Ana Esmeralda
AU  - Eva Wilma
AU  - Otelo Zeloni
AU  - Walmor Chagas
AU  - Darlene Glória
TI  - São Paulo, Sociedade Anônima
AV  - PN1997 .S260 1965
PY  - 1965///
CY  - Brazil
PB  - Socine Produções Cinematográficas
N1  - <based on, contains the following, public viewing rights>
N2  - From case cover:
São Paulo S/A se passa no momento de euforia desenvolvimentista provocada pela instalação de indústrias automobilísticas estrangeiras no Brasil no final dos anos 50. O filme conta a história de Carlos, que segue a trajetória da maioria dos jovens de certa camada da classe média paulistana. Guiando-se pelas oportunidades imediatas que a sociedade oferece, ingressa numa grande empresa. Logo depois, aceita um cargo numa fábrica de auto-peças, da qual torna-se gerente. A certa altura, encontra-se na pele de um chefe de família, que trabalha muito, ganha bem, mas vive insatisfeito. Sem um projeto pessoal de vida ou perspectivas de se opor à condição que rejeita, só lhe resta fugir.

; From IMDB:
In São Paulo, Carlos leaves his wife Luciana and his son seeking a new beginning of his life. While wandering through the streets of São Paulo, Carlos recalls the period between 1957 and 1961, when he was a twenty-five year-old employee of Volkswagen in the boom of the automobile industry in Brazil working in the Quality Control of the factory. He meets the supplier Arturo, the Italian immigrant owner of an auto parts, and he accepts his gears even with defects, receiving a commission in return. Meanwhile the easy Ana becomes his mistress, and later he has an affair with the romantic nihilist intellectual Hilda. When he meets bourgeois Ana in the English class, they date and later she becomes his fiancée and wife. Along the years, the rude Carlos loses his job in Volkswagen and becomes manager of Arturo's factory; he has an existential crisis, losing his identity and becoming part of the gear of the process of industrialization of São Paulo.


ER  -