Las Ovejas no Pierden el Tren Álvaro Fernández Armero [videorecording]=

<based on, contains the following, public viewing rights>

From case cover:
Luisa y Ablerto se han visto olbigados a irse a vivr al campo, pero la idílica vida rural enseguida empieza a mostrar su cara menos amable. Pese a que la pareja no atraviesa por su mejor momento, Luisa está obsesionada con tener un segundo hijo, aunque sea con el sexo más apático imaginable. El que no se plantea pisar el campo es Juan, hermano de Alberto que, con 45 años, sale con Natalia, una joven de 25 a la que se agarra como una tabla de salvación. Por su parte, la hermana de Luisa, Sara, está acostumbrada a canalizar su ansiedad a través de los hombres, con quienes no acaba de encajar hasta que aparece Paco, un periodista que parece incluso dispuesto a levarla al altar. O eso cree ella...

From IMDb:
After six beautiful years of relationship, the loving couple of Luisa and Alberto decide to move to the province along with their young son, with the intention to have their second child away from the city's hustle and bustle. However, a crisis is just around the corner, as life in a small village in the middle of nowhere is not as easy as it seems, and as a result, Luisa and Alberto's already lukewarm sex life is starting to pay the price. On the other hand, Alberto's older brother Juan, has already nestled himself in the warm embrace of the 20 years his junior new girlfriend Natalia, still, struggling to keep up, while at the same time, Sara, Luisa's always single sister, is now dreaming of walking down the aisle with her newfound boyfriend. In the end, interpersonal relationships are always challenging, moreover, in the search for love and a better future in life, one can sometimes be distracted for a while.

DVD video; Dolby Digital 5.1, 2.0; surround, stereo; PAL; Region 2; 2.35:1 as 16:9 widescreen.

Spanish audio. Spanish visual description for the blind or visually impaired. Optional English subtitles. Optional Spanish subtitles for the deaf or hard-of-hearing.