000 | 01994nam a2200313 4500 | ||
---|---|---|---|
999 |
_c1356 _d1356 |
||
003 | OSt | ||
008 | 170915b xxu||||| |||| 00| 0 eng d | ||
040 | _cSILC | ||
041 |
_ager _beng _hger _jeng |
||
046 | _k2014 | ||
050 |
_aPN1997 _b.P464 2014 |
||
100 | _aChristian Petzold | ||
245 |
_aPhoenix _cChristian Petzold _h[videorecording]= |
||
260 |
_aGermany _bSchramm Film Koerner & Weber _bBayerischer Rundfunk _bWestdeutscher Rundfunk _bArte _bTempus _c2014 |
||
300 |
_a1 videodisc (ca. 98 min.) _bsound, color. _c4 3/4 in. |
||
440 | 4 |
_aThe Criterion Collection _vVol. 809 |
|
440 | 4 | _aPhoenix | |
500 | _aContains the following: - Main feature: "Phoenix" (2014). - Documentaires: "The Making of "Phoenix"" (2014). | ||
500 | _aBased on the 1961 novel "Le Retour des cendres" by "Hubert Monteilhet". | ||
520 | _aFrom case cover: This evocative and haunting drama, set in rubble-strewn Berlin in 1945 is like no other film about post-World War II Jewish-German identity. After surviving the Auschwitz, a former cabaret singer (Nina Hoss, in a dazzling, multilayered performance) has her disfigured face reconstructed and returns to her war-ravaged home city to seek out gentile husband, who may or may not have betrayed her to the Nazis. Without recognizing her, he enlists her to play his wife in a bizarre hall-of-shattered-mirrors story that is as richly metaphorical as it is engrossing. Revenge film or tale of romantic reconciliation? One doesn't know until the superb closing scene of this marvel from Christian Petzold, one of the most important figures in contemporary German cinema. | ||
538 | _aDVD video;Dolby Digital 5.1; surround; NTSC; Region 1; 2.39:1 as 16:9 widescreen. | ||
546 | _aGerman audio with English subtitles. | ||
700 |
_aChristian Petzold _eScreenwriter _eDirector |
||
700 |
_aHubert Monteilhet _eAuthor |
||
700 |
_aNina Hoss _eActor |
||
700 |
_aRonald Zehrfeld _eActor |
||
700 |
_aNina Kunzendorf _eActor |
||
942 |
_2lcc _cDVD |