000 | 02062nam a2200289 4500 | ||
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999 |
_c1604 _d1604 |
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003 | OSt | ||
008 | 180517b xxu||||| |||| 00| 0 eng d | ||
040 | _cSILC | ||
041 |
_aspa _beng _hspa _jeng |
||
046 | _k2010 | ||
050 |
_aPN1997 _b.P678 2010 |
||
100 | _aPablo Larraín | ||
245 |
_aPost Mortem _cPablo Larraín _h[videorecording]= |
||
260 |
_aChile _bFabula _c2010 |
||
300 |
_a1 videodisc (ca. 98 min.) _bsound, color. _c4 3/4 in. |
||
440 | _aDavid W. Foster Collection | ||
500 | _a<based on, contains the following, public viewing rights> | ||
520 | _aFrom case cover: The second part of director Pablo Larraín's celebrated trilogy about Chile during the dictatorial reign of Augusto Pinochet, Post Mortem is a "grim, intense, mordantly comic little film" (A.O. Scott, New York Times) about a civil servant transformed by the 1973 military coup. Mario (Alfredo Castro, Tony Manero) is an unassuming state employee who transcribes notes during autopsies. Furtive and lonely, he becomes obsessed with his neighbor, the dancehall girl Nancy (Antonia Zegers), who is involved with a group of left-wing activists. With the coup, and the death of President Salvador Allende, Nancy's friends are hunted down, and Mario's hospital becomes clogged with the bodies of dissenters. Soon the violence filters into Mario's psyche, and he begins to break down, much like his country. Following the brilliant Tony Manero (2008, available from Kino Lorber), and preceding the recently completed No (2012), Post Mortem is "a new and original vision of political terror" (J. Hoberman, Blouin Art Info) that remains urgently relevant to the repressive regimes of today. | ||
538 | _aDVD video; Dolby Digital 2.0; stereo; NTSC; Region 1; 2.66:1 as 16:9 widescreen. | ||
546 | _aSpanish audio. Optional English subtitles. | ||
700 |
_aPablo Larraín _eScreenwriter _eDirector |
||
700 |
_aMateo Iribarren _eScreenwriter |
||
700 |
_aAlfredo Castro _eActor |
||
700 |
_aAntonia Zegers _eActor |
||
700 |
_aJaime Vadell _eActor |
||
942 |
_2lcc _cDVD |