000 | 02042nam a2200289 4500 | ||
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999 |
_c1743 _d1743 |
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003 | OSt | ||
008 | 180618b ||||| |||| 00| 0 eng d | ||
040 | _cSILC | ||
041 |
_aeng _aspa _beng _hspa _jeng |
||
046 | _k1976 | ||
050 |
_aPN1997 _b.P543 1976 |
||
100 | _a Efrain Gutierrez | ||
245 |
_aPlease, Don't Bury Me Alive! _cEfrain Gutierrez _h[videorecording]= |
||
260 |
_aUnited States _bChicano Arts Film Enterprises _c2007 |
||
300 |
_a1 videodisc (ca. 81 min.) _bsound, color. _c4 3/4 in. |
||
440 | _aDavid W. Foster Collection | ||
440 |
_aUCLA Chicano Cinema and Media Art Series _vVol. 6 |
||
500 | _a<based on, contains the following, public viewing rights> | ||
520 | _aFrom case cover: This independent film, a slice-of-barrio life that was shot and shown in South Texas, outperformed All the President's Men in some small towns, while it single-handedly broke Mexico's monopoly over the Spanish-language theaters in the United States. The film inspired an independent film movement in Mexico, where the state controlled the industry, and among Chicano filmmakers in the United States, who further refined GutiƩrrez's successful grassroots marketing strategy. The film is important as an instance of regional filmmaking, as a bicultural and bilingual narrative, and as a precedent that expanded the way that films were produced in two nations. It is a compelling film about the dilemmas facing a young Chicano in the spring of 1972 amid the Chicano Movement, one made on a dream and a shoestring! In this respect, GutiƩrrez is a pivotal figure in the same way as Oscar Micheaux, who directed "race movies" for black audiences from the 1920s to the 1940s. | ||
538 | _aDVD video; Dolby Digital; monaural; NTSC; Regions 1-8; 4:3 fullscreen. | ||
546 | _aEnglish and Spanish audio. Optional English subtitles. | ||
700 |
_aEfrain Gutierrez _eActor _eDirector |
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700 |
_aSabino Garza _eScreenwriter |
||
700 |
_aJose Armando _eActor |
||
700 |
_aMargarita Armando de Hoyas _eActor |
||
942 |
_2lcc _cDVD |