000 | 02087nam a2200289 4500 | ||
---|---|---|---|
999 |
_c1969 _d1969 |
||
003 | OSt | ||
008 | 180914b ||||| |||| 00| 0 eng d | ||
040 | _cSILC | ||
041 |
_aeng _beng _heng _jeng _jfre _jspa |
||
046 | _k2006 | ||
050 |
_aPN1997 _b.F556 2006 |
||
100 | _aGary Leva | ||
245 |
_aFilm Noir : Bringing Darkness to Light _cGary Leva _h[videorecording]= |
||
260 |
_aUnited States _bMetro-Goldwyn-Mayer (MGM) _c2006 |
||
300 |
_a1 videodisc (ca. 68 min.) _bsound, black & white. _c4 3/4 in. |
||
440 | _aFilm Noir : Bringing Darkness to Light | ||
440 | _aFilm Noir Classic Collection | ||
500 | _aThe disc contains the following Shorts: - Forbidden Passage (1941) - A Gun in His Hand (1945) - The Luckiest Guy in the World (1947) - Women in Hiding (1940) - You, the People (1940) | ||
520 | _aFrom case cover: Film noir is a hardluck loner, a slumming angel, a look that can kill. It is a mood and menace, small budgets and big imagination. It is a bleak, unsparing, a slap across the beezer, take it and like it. It is a parade of trenchcoated Pls, tough cookies, schemers, weasels and moneymen. And it has a single star. "The star of film noir is fate,"explains Carol Littleton (editor of Body Heat)." It just doesn't get a screen credit." Clips from noir classics and little-known gems, plus interviews with modern noir aficionados like directors Christopher Nolan and Frank Miller, writers James Ellroy and Brain Helegeland and others shape this multifaceted exploration of the movie style that grew out of the hard realities of post-World War II life. What is the difference between crime stories and noir? What was the first film noir movie? The answers are intriguing. And noir to the core. Take it and like it. | ||
538 | _aDVD video; Dolby Digital 2.0; stereo; NTSC; Regions 1-4; 1.37:1 as 4:3 fullscreen. | ||
546 | _aEnglish audio. Optional English, French and Spanish subtitles. | ||
700 |
_aGary Leva _eDirector |
||
700 |
_aJohn Alton _eActor |
||
700 |
_aDrew Casper _eActor |
||
700 |
_aRoger Deakins _eActor |
||
942 |
_2lcc _cDVD |