000 03495nam a22003017a 4500
003 OSt
008 241029b |||||||| |||| 00| 0 eng d
040 _cSILC LSS
041 _ager
_jger
_jeng
046 _k1920
050 _aPN1997
_b.G654 1920
100 _aPaul Wegener
100 _aCarl Boese
245 _aDer Golem, wie er in die Welt kam
_bThe Golem, How He Came into the World
_cPaul Wegener
_cCarl Boese
_hvideorecording
246 _aThe Golem
260 _aGermany
_bProjektions-AG Union (PAGU)
_c1920
300 _a1 videodisc (ca. x min.)
_bsound, color.
_c4 3/4 in.
500 _aDer Golem, w,e er ,n die Welt kam C 2018 Friedrich-Wilhelm-Mumau-Stiftung, Wiesbaden. All Rights Reserved. Marketed by Kina Lorber, Inc 333 West 39th Street Suite 503, New York, NY 10018. "Klno Lorber"® is the registered trademark of Kino Lorber, Inc. For non-commercial private exh1b1t1on in homes only Any public performance, other use or copying IS strictly prohibited. The unauthorized reproduction or distribution of this copyrighted work 1s illegal. Criminal copyright 1nfnngement, including in fnngement without monetary gain is investiga
520 _aWidely recognized as the source of the Frankenstein myth, the ancient Hebrew legend of the Golem provided actor/director Poul Wegener with the substance for one of the most adventurous films of the German silent cinema. Suffering under the tyrannical rule of Rudolf II in 16th-century Prague, a Talmunic rabbi (Albert Steinruck) creates a giant warrior (Paul Wegener) to protect the safety of his people. When the rabbi's assistant (Ernst Deutsch) takes control of the Golem and attempts to use him for selfish gain, the lumbering monster runs rampant, abducting the rabbi's daughter (Lyda Salmonovo) and setting fire to the ghetto. With its remark­able creation sequence (a dazzling blend of religion, sorcery and special effects) and the grand-scale destruction of its climax, The Go/em was one of the greatest achievements of the legendary UFA Studios, and remains an undeniable landmark in the evolution of the horror film.
_b THE GOLEM: How He Came into the World (Der Go/em, wie er in die Welt kam) Projektions-AG ,Union« (PAGU), Berlin, Paul Davidson Written and Directed by Paul Wegener Photographed by Karl Freund Production Design: Hans Poelzig With Paul Wegener Albert Steinruck Lyda Salmonova Ernst Deutsch Music by Admir Shkurtoj, on commission of the Biennole Venezia Film Festival (2019) Mixed by Valerio Daniele © Sugormusic S.p.A. - Edizioni Suvini Zerboni, Milano Music composed and performed by Stephen Horne (2019) Music composed and performed by lukosz "Wudec" Poleszok (2019) U.S. distribution version: Music by Cordula Heth (2019) Restoration (2018): Friedrich-Wilhelm-Murnou-Stihung Cinemotek (Royal Film Archive of Belgium) Material: Cinemotek (Royal Film Archive of Belgium) George Eastman Museum (inemotheque fron􀀤oise Fondozione Cineteco Italiano Museum of Modern Art Gosfilmofond of Russia Filmmuseum Miinchen Cover artwork by Ivon Montoy
538 _aBlu-ray video; Color-tinted, Color: Black and White; Sound mix: Silent; 1920x1080p; Regions A; 1.33:1
546 _aSilent audio. German intertitles with optional English subtitles.
700 _aPaul Wegener
_cDirector
_cScreenwriter
_cActor
700 _aCarl Boese
_cDirector
700 _aHenrik Galeen
_cScreenwriter
700 _aAlbert Steinrück
_cActor
700 _aErnst Deutsch
_cActor
942 _2lcc
_cDVD
999 _c3076
_d3076