000 | 03495nam a22003017a 4500 | ||
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003 | OSt | ||
008 | 241029b |||||||| |||| 00| 0 eng d | ||
040 | _cSILC LSS | ||
041 |
_ager _jger _jeng |
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046 | _k1920 | ||
050 |
_aPN1997 _b.G654 1920 |
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100 | _aPaul Wegener | ||
100 | _aCarl Boese | ||
245 |
_aDer Golem, wie er in die Welt kam _bThe Golem, How He Came into the World _cPaul Wegener _cCarl Boese _hvideorecording |
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246 | _aThe Golem | ||
260 |
_aGermany _bProjektions-AG Union (PAGU) _c1920 |
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300 |
_a1 videodisc (ca. x min.) _bsound, color. _c4 3/4 in. |
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500 | _aDer Golem, w,e er ,n die Welt kam C 2018 Friedrich-Wilhelm-Mumau-Stiftung, Wiesbaden. All Rights Reserved. Marketed by Kina Lorber, Inc 333 West 39th Street Suite 503, New York, NY 10018. "Klno Lorber"® is the registered trademark of Kino Lorber, Inc. For non-commercial private exh1b1t1on in homes only Any public performance, other use or copying IS strictly prohibited. The unauthorized reproduction or distribution of this copyrighted work 1s illegal. Criminal copyright 1nfnngement, including in fnngement without monetary gain is investiga | ||
520 |
_aWidely recognized as the source of the Frankenstein myth, the ancient Hebrew legend of the Golem provided actor/director Poul Wegener with the substance for one of the most adventurous films of the German silent cinema. Suffering under the tyrannical rule of Rudolf II in 16th-century Prague, a Talmunic rabbi (Albert Steinruck) creates a giant warrior (Paul Wegener) to protect the safety of his people. When the rabbi's assistant (Ernst Deutsch) takes control of the Golem and attempts to use him for selfish gain, the lumbering monster runs rampant, abducting the rabbi's daughter (Lyda Salmonovo) and setting fire to the ghetto. With its remarkable creation sequence (a dazzling blend of religion, sorcery and special effects) and the grand-scale destruction of its climax, The Go/em was one of the greatest achievements of the legendary UFA Studios, and remains an undeniable landmark in the evolution of the horror film. _b THE GOLEM: How He Came into the World (Der Go/em, wie er in die Welt kam) Projektions-AG ,Union« (PAGU), Berlin, Paul Davidson Written and Directed by Paul Wegener Photographed by Karl Freund Production Design: Hans Poelzig With Paul Wegener Albert Steinruck Lyda Salmonova Ernst Deutsch Music by Admir Shkurtoj, on commission of the Biennole Venezia Film Festival (2019) Mixed by Valerio Daniele © Sugormusic S.p.A. - Edizioni Suvini Zerboni, Milano Music composed and performed by Stephen Horne (2019) Music composed and performed by lukosz "Wudec" Poleszok (2019) U.S. distribution version: Music by Cordula Heth (2019) Restoration (2018): Friedrich-Wilhelm-Murnou-Stihung Cinemotek (Royal Film Archive of Belgium) Material: Cinemotek (Royal Film Archive of Belgium) George Eastman Museum (inemotheque fronoise Fondozione Cineteco Italiano Museum of Modern Art Gosfilmofond of Russia Filmmuseum Miinchen Cover artwork by Ivon Montoy |
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538 | _aBlu-ray video; Color-tinted, Color: Black and White; Sound mix: Silent; 1920x1080p; Regions A; 1.33:1 | ||
546 | _aSilent audio. German intertitles with optional English subtitles. | ||
700 |
_aPaul Wegener _cDirector _cScreenwriter _cActor |
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700 |
_aCarl Boese _cDirector |
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700 |
_aHenrik Galeen _cScreenwriter |
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700 |
_aAlbert Steinrück _cActor |
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700 |
_aErnst Deutsch _cActor |
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942 |
_2lcc _cDVD |
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999 |
_c3076 _d3076 |