000 | 01945cam a2200253 i 4500 | ||
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999 |
_c624 _d624 |
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003 | OSt | ||
008 | 180618b ||||| |||| 00| 0 eng d | ||
040 | _cSILCLSS | ||
041 |
_ajap _aeng _bjap _hjap _jjap _jeng |
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046 | _k2004 | ||
050 | 0 | 0 |
_aPN1997 _b.A569 2004 |
100 | _aShochiku Company Limited | ||
245 | 0 | 0 |
_aAkoya _h[videorecording]= _cShochiku Company Limited |
246 | _aThe War Chronicles off Dannoura - The Courtesan Akoya | ||
260 |
_aTōkyō : _bKokuritsu Gekijō Chōsa Yōseibu Geinō Chōsashitsu, _cShōwa 46 [1971] |
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300 |
_a1 videodisc (ca. 76 min.) : _c4 3/4 in; _bsound, color; |
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520 | _aAkoya was originally written for the bunraku puppet theatre and first staged as kabuki in 1733. It is the twelfth century and civil war rages between the Heike and Genji military clams. The genji forces capture the courtesan Akoya in order to torture them into telling them the whereabouts of her lover the Heike commander Kagekiyo. Her entrance, dressed in magnificent robes, is of the great kabuki moments. Presiding over the interrogation are the wise gove\enor SHigetada and the vicious Iwanaga. Inwanaga brings his torture equipment, but Shigetada brings not insturments of torture but music. He demands Akoya plays the koto, the shamisen and the kokyu. this is another highlight of the play, regading great skill of the actor. Shigetada knows Akoya will pout out her true feelings and emotions. The kokyu music becomes increasingly emotional with screeching high notes. In the end, Shigetada is convinced she doesn't know Kagekiyo's whereabouts and she is free to leave. | ||
538 | _aDVD video; Dolby Digital 2.0; stereo; NTSC; Regions 1-A; 16:9 widescreen. | ||
546 | _aOriginal Japanese Audio, Optional Japanese and English Commentary. Japanese and English subtitles. | ||
700 |
_aBandō Tamasaburō V _eActor |
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700 |
_aNakamura Kankurō VI _eActor |
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700 |
_aNakamura Umemaru _eActor |
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942 |
_2lcc _cDVD |