000 | 01701cgm a2200253Ia 4500 | ||
---|---|---|---|
999 |
_c737 _d737 |
||
003 | OSt | ||
008 | 100524s2006 cc 068 vlchi d | ||
040 | _cSILC | ||
041 | 1 |
_achi _heng _beng _jeng |
|
046 | _k2006 | ||
050 | 4 |
_aPN1997 _b.W607 2006 |
|
100 | _aJie Hu | ||
240 | _aThough I Am Gone | ||
245 | 0 | 0 |
_aWo sui si qu _h[videorecording] = _bThough I Am Gone _cJie Hu |
246 | 3 | 1 | _aThough I Am Gone |
260 |
_aChina _bdGenerate Films _c2007 |
||
300 |
_a1 videodisc (ca. 68 min.) _bsound, color with b&w sequences. _c4 3/4 in. |
||
520 | _aFrom case cover: Pioneering filmmaker Hu Jie uncovers the tragic story of a teacher beaten to death by her students during the Cultural Revoution. In 1966, the Cultural Revolution exploded throughout China, as Mao's Red Guards persecuted suspected Rightists. Bian Zhongyun, the vice principal of a prestigious school in Beijing, was beaten to death by her own students, becoming one of the first victims of the revolutionary violence that would engulf the entire nation. In Though I Am Gone, Hu draws upon photographs taken by Bian's husband, Wang Jingyao, whose impulse to document his wife's death makes him a spiritual forebear to Hu's fearless work. Hu also incorporates vivid accounts from surviving witnesses and archival footage to depict the deadly madness of the era. Theresultis "a profound moving memorial to the victims of Mao's senseless political violence" (Dan Edwards, Real Time Arts). | ||
538 | _aDVD video, Dolby Digital 2.0, stereo, PAL, Region 2, 4:3 fullscreen. | ||
546 | _aChinese (Mandarin) audio with English subtitles. | ||
700 |
_aJie Hu _eDirector |
||
700 |
_aJingyao Wang _eHimself |
||
942 |
_2lcc _cDVD |